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Maps & Atlases at Festsaal

People keep calling these guys a math rock band, but the connection between the genre label and their actual sound is tenuous, at best. The confusion is easy to understand though, there is a complexity throughout the tunes, and the arrangements are both delicate and compelling, there’s notes of neo-folk and psych, as well as being at times a little experimental, but at the end of the day, it really does all come together within a definate pop package. Maps & Atlases are a progressive pop band if nothing else, putting them in the same vein as classic bands such as King Crimson or Peter Gabriel’s Genesis. Which is a very good and worthwhile thing. to work at. Here’s a track:

Maps & Atlases – Solid Ground

With the new album from Maps & Atlases, Perch Patchwork, in stores in the arse end of June just gone, you can expect that when they hit the stage at Festsaal we’re going to be treated to a demo of the new material. With a lot of bands that would be somewhere between a-bit-concerning to really-quite-shitty, after all, the phrase “their old stuff is better than the new stuff” isn’t a cliche for no reason, but the new album is good, really good, so you and I should be looking forward to it all. As if you weren’t already anyway.

Ninja Tune XX at Astra Kulturhaus

Celebrating the rich and varied 20 years of the Ninja Tunes label, the Ninja Tunes XX Tour hits Berlin with a massive lineup of forward thinking electronica, hip hop and future-jazz artists.

Allow us to illustrate through moving picture:

…and allow us to illustrate through song:

Cinematic Orchestra – To Build A Home

Andreya Triana – ‘Lost Where I Belong’ (Flying Lotus Preview Edit)

Wild Palms at Comet Club

British indie pop as taken a bit of a back seat recently in favour of all this New York hipster shit, but to be honest, US bands try too hard. As a metric: American bands only celebrate success when they’ve sold a million records and done an endorsement deal with a trouser company. A British band is happy enough with getting on the cover of NME and playing enough pub gigs to stave off starting at the steel mill where all their dads work (but not the drummer’s, he’s dead from an accident).

Wild Palms are a British band who, while perhaps not contracted or duty bound to ever work in a dockside steel mill, are definately worth your attention, bouncy angst pop with just enough new-wave to keep the nostalgists at bay. You’ll find them playing at Comet Club on the 23rd of September, playing their small repertoir of hits with special attention paid to their standout single:

Wild Palms – Over Time

This Will Destroy You at Magnet

Texas post-rock group This Will Destroy You might be a bit slow in getting their new album out, the one that was finished in January this year and still doesn’t have  a release date, but what they lack in forward momentum in that department, they certainly make up for in touring stamina. 54 dates across the U.S. and Europe, starting beginning of august and stretching to the middle of October. What does that level of travelling do to a person? Do you even remain a person? Do you become some kind of fetid half beast that lives by absorbing sunlight and licking moisture from the eyeballs of young groupies? Do you even require nutrients at all, your god-like rock&roll intensity having reached such a peak to make a 54 show tour physically possible? Scary stuff.

The gig is at Magnet club.

Here’s part one of a two track single just released called Moving on the Edges of Things:

This Will Destroy You – Woven Tears

The Chap at Festsaal

London experimental pop outfit the Chap make it to Berlin for a spot of gigging at Festsaal.

Famous not only for a stage show that often features exploding violins and cellos, and how we’ve all so very often wanted to blow up a cello, but also a very decent back catalogue of five albums going back to 2003. The newest one from them, Well Done Europe, came out last May and got a very reasonable review from Pitchfork, gaining a 7.7 (but they also thought the appalling new album from Arcade Fire was worth 8.6, they’re very bad recommenders).

A single from them, clip inclusive:

Circle at Bang Bang Club

A Finnish prog-metal four piece? In my Bang Bang? It’s more common than you think!

An ever changing lineup through a massive catalogue of releases since their formation in 1991, Circle make it to Berlin for a show in Bang Bang Club supported by [Project] Transmit, for one big night of live loop experimentalism. If there’s a gig this year that you bring a joint to, then this should be that concert. Not that you need drugs to enjoy music, it’s just that sometimes music needs drugs to enjoy you.

Here’s a track from Circle, a cover of Syd Barrett’s Rats:

Circle – Rats

…as well as something a bit more indicative of them:

Circle – We Must Breathe

And a number from [Project] Transmit, just since we think they’re really fun:

PVT (Pivot) at Magnet Club

Signed to the slightly infamous Warp label, Sydney kids PVT (formerly Pivot) make it to Berlin for a night of glitch electronica post-pop antics.

The brand new album from them, Church With No Magic, was released early August this year in Australia with an international release expected soon, if not already by the time you read this. Here’s the clip for the first single, Window:

If you enjoyed that track at all and wanted to hear more from the PVT people, head to the website where they give you the MP3 for free in exchange for your  email address. Which I’m sure they use only for good purposes.

The new album follows on from their last album, their first international release, the very awesome O Soundtrack My Heart. I mention this only for your benefit. It’s important to know since the track In The Blood comes from this album and In The Blood is adorned by, what I would say is, the greatest film clip ever to grace late night television. Check it out:

Blood and puppetry, together at last.

Forest Fire at Comet Club

Brooklyn four piece Forest Fire tour their new album Survival, bringing the new show to Berlin for a night at Comet Club.

From the myspazz on the new album:

“For me, this thing is a document of stylistic integrity that felt very important to all of us at the time,” says Thresher. But Survival also houses a feeling of blatant disregard, one that unabashedly nods to the rich and historic landscape of American punk rock. The tracks are littered with out-of-tune horns, vibrant bursts of guitar and layers of screeching electronics. Nathan Delffs’ frantic guitar work threads throughout dark and carefully executed harmonies by the likes of Sharon Van Etten, Myisha Battle and Nick Delffs (Shaky Hands). Ghostly synthesizers, arresting vocals and loose percussion are woven together under the glimmering production values of Adam Spittler. Thresher’s lyrics also require a close listen; while brief, they remain consistently purposeful and sincere.”

Basically what they’re trying to say is that it’s drugged out neo-folk with some experimental electronica thrown  in for fun. Which is an interesting concoction and certainly the sort of thing that the NY scene is on fire with at the moment, and this is probably one of the better examples. Worth a look.

Their blog is kind of fun also: http://www.unrealitywoman.blogspot.com/

The Depreciation Guild at Bang Bang Club

Two of the touring artists attached to The Pains Of Being Pure Of Heart make it here to Berlin sporting their own project, The Depreciation Guild, giving a run to the material from their latest album, Spirit Youth, out June this year.

Contributing to their early 90’s indie electronica sound (thinking Single Gun Theory right now as I’m listening to TDG’s new stuff) is their using a modified nintendo console as instrumentation, bringing in an 8-bit sound that gives the tracks that vintage feel. Their first release, the Nautilus EP (2006) was released through prominent chip-tunes label 8BitPeoples. The Depreciation Guild are a band with history and pedigree and artistic integrity and vision. The are worth your time.

Here’s a track taken from the new album from them, Spirit Youth, their second LP:

The Depreciation Guild – My Chariot

Wintersleep at Lido

Canadian troupe Wintersleep are a difficult beast to pin down. Living somewhere in the void between band and art collective, producing material swinging from anthemic shoegaze to bouncy indie rock, always with terrific synth lines and rock drum flourishes.  The new album from them, New Inheritors, came out earlier this year to a very warm reception and it’s on the back of the new material that they make it here as part of their massive European/US/Canada tour.

Here’s the title track from the new album, for you to listen to and enjoy:

Wintersleep – New Inheritors

…and if you dug that, you can check out the whole album for free, streaming from their website: http://www.wintersleep.com/

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